POHC Sings at Ronald McDonald House, Dec 21

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

On my way to the Ronald McDonald House building on the Upper East Side of Manhattan, I noticed a guy with a nice hat carrying a drum. Could it be POHC Musical Facilitator, René? I sped up a little and said "Hello there!" He turned around with a serious look, but realized it was me, Wilfred!

We chatted until we got to the security desk where we had to use a registry computer to sign in (a bit confusing, but security helped us out). We thought we were all clear, but then Tenor Anthony, arrived and brought our temporary picture IDs that we had left downstairs with security..

The rest of the group arrived and we were a few minutes late starting our warm up. After we finished, we waited for more audience to show up, so we took a little rest until it was time to start the actual show. The audience was quite packed and then we were ready to begin.

Baritone Larry opened the show with his welcome speech as well as introduction of the song, Siyahamba. We followed with Jingle Bell Rock. Soprano Cheryl was in the group for this performance so we sang Hafinjan and started with her solo. Of course she was great, no question. We also sung Down By The Riverside while several members headed toward the audience shaking hands during the "I'm gonna shakes hands..." lyrics. Deck The Halls was next and we recevied a nice applause from the audience. We moved on to Imagine,  then This Land Is Your Land (only a few audience members sang along), and Peace Salaam Shalom. We had enough altos to sing 50 Kilowatt Tree, A La Nanita and Little Bitty Pretty One (the last song with with Alex, Nancy and myself singing solos). We all rocked the house! Then we finalized the performance with Give Us Hope and  our theme song, Let There Be Peace On Earth, with Larry and René doing the closing speeches. The audience really enjoyed the performance with one audience member sharing her positive thoughts on the performance after the show. Afterwards, everyone left very happy. Happy Holidays to all!

-Wilfred, Tenor Section Leader

POHC Visits Rivington House, Dec 18

 

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

On Tuesday, December 18, POHC visited Rivington House on Manhattan's Lower East Side. After showing our photo IDs to security and receiving our bright red visitor stickers, we were instructed to press PH in the elevator. This brought us to the pent house on the fifth floor.  It consisted of two large rooms, one with chairs set up in rows and a grand piano covered with a red Christmas cloth, the other with physical therapy tables complete with pillows.  We stored our coats and bags near the PT tables, and Tenor Anthony’s mom put out the pizza-with-everything she had brought for us. 

 

Back in the first room we did our warm-ups as a few staff members made final adjustments to the chair arrangement and someone on the loud speaker announced a Hearts & Voices concert (meaning us) in the pent house. The residents--some using wheelchairs, others using canes, some walking without assistive devices--dribbled in as we were still running through a few bars of each song, deciding what to sing.  They took their seats and watched intently, so we explained that this was just the rehearsal.  It was fine with them—they seemed to like this taste of what was to come. One guy shouted out that he remembered us from last year. 

 

Five minutes later, we began the real performance.  As always, Siyahamba got us off to a rousing start. This audience loved everything we did.  They clapped.  They sang along.  When we got to the line "gonna-shake-hands-around-the-world" from Down By the Riverside, and were making our way through the audience, a woman said “Happy Holidays” to me while I was singing and shaking her hand.  René gave the audience instructions on how to join us for Little Bitty Pretty One, and they followed him to the letter, even to the softer and softer fade-out at the end.  When he gave the final cut-off, they did so exactly on time! Tenor Wilfred and Soprano Gwen did a great job on the solos--without microphones. 

 

Lily (former choir member, and the one who was the contact for this gig) slipped into the back of the audience while we were singing the third or fourth number.  So when we got to the closing song, Let There Be Peace On Earth, I invited her up to sing it with us.  A woman in the front row thought I was inviting her up, and she came to stand next to the altos. This woman hardly smiled throughout the concert, but clapped and sang along from her seat. Now, standing in front with us and facing the audience, she still didn’t smile, but she knew all the words and kept her eye on René and did everything she was supposed to do as a member of the choir. René caught her eye to let her know he knew she was up there and that he was including her.  After the applause, while we were still standing before the audience, she went back to her seat. Though she didn’t say anything, we could tell that this had given her a lot of pleasure. A nice reminder of how our mission to bring music to those in need includes allowing their voices (and hearts) to join with ours.

 

-POHC Alto

Singing After Sandy: POHC Visits Kings Hotel, November 24

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. In this edition, we have write-ups from two POHC Tenors.

Several weeks ago, just as we were all re-emerging from our homes after the Superstorm Sandy, one of the earliest members of the Peace of Heart Choir suggested that an additional outreach performance should be added in support of the hurricane recovery effort. Our schedule was already more than full, but the idea was so wonderfully in concert with our original Choir mission post-9/11 that it was clearly worth pursuing. Three weeks, and about two dozen phone calls later, after an attempt to sing at the Park Slope Armory storm shelter was foiled by its closure, we gathered at the Kings Hotel, deep in the heart of East New York, on a breezy Saturday afternoon, just two days after Thanksgiving.

The Kings Hotel sits on a lonely industrial stretch of Atlantic Avenue, deep in the heart of Brooklyn. An elevated portion of the avenue runs overhead down the middle of the street. It's a plain brick building, next to what looked like a recycling center for collected cans and bottles. Julia, a very polished blond volunteer at the shelter, greeted us in the lobby with her small dog.

We headed downstairs, through a maze of small rooms in the basement being used as social areas where people could sit, talk, play cards, and read. A dozen or more smokers congregated outside on the side of the building. The dining hall in the basement was a simple but decent-sized room. We cleared out the center of the room for the choir, so we were surrounded by chairs and tables on three sides.

During the early part of the warm-up, there were a few minutes of trepidation for Alto Pearl and Soprano Cheryl as they were the only people in their sections. But in the end, we had a full complement of about a dozen singers, with every part covered.

We sang for perhaps 30 older folks. Clearly, they'd been through a lot the last few weeks and were tired. Many were wearing their coats. These were mostly residents from Belle Harbor Manor and one or two other assisted living facilities in the Rockaways, who'd been moved to the Kings Hotel when the Armory was closed.

We began with Siyahamba, which is undoubtedly one of the best opening numbers we've done. It welcomes the audience wonderfully, and catches their attention.

René got the whole audience trained up to join us as we sang backup on Little Bitty Pretty One, which was fantastic. So glad we simplified the arrangement. It's a great sing-along opportunity, and Tenor Alex did a nice job on the solo.

The audience was clearly appreciative, but fairly quietly throughout, applauding each song, but not getting overly excited. Still, as at most Peace of Heart Choir performances, there were a few people who were clearly more touched by the music than others.

One older women, with no visible teeth, was singing along and smiling through most of the show. Afterwards, she complimented Cheryl on her voice. She was there with her friend. She'd lost her walker, her clothes, and almost everything else in the flood, and didn't even know what was left behind to salvage at this point. But she was happy to be alive and well, and had truly enjoyed the concert.

Another Kings Hotel resident, a middle-aged man wearing a beret and several layers of clothes, began singing and dancing along for a song or two. Before the show, he had been combing through his music for things he might join us on. Looked like he had a lot of Sinatra-era classics. He said he was performing with his group there on Sunday.

A black man with large glasses, who'd been sitting very quietly as we talked with others after the show, asked when we might see them again, and hoped that we could at least make it out to The Rockaways to sing for them again. At this point, I don't think they're sure if the facility they were living in will reopen, or when. But we'll check, and perhaps try to make the trek out there in a coming season.

After the performance we met Caron, a shelter volunteer who'd helped set up the show. She'd come straight from a bar mitzvah in Park Slope, but caught most of our performance. She was so happy we'd made it. Apparently when this group was at the Park Slope Armory they had a virtual parade of performers coming through. But few have made the trek to East  New York.

Overall, a lovely performance. We offered our sympathy, our music and the solace it can provide, and offered of ourselves.

-POHC Tenor

POHC Performs at Kings Hotel for displaced residents taking shelter after Superstorm Sandy, November 24

This is Wilfred telling you about today's outreach. I had a bit of confusion getting to the area of Brooklyn, since the street where Kings Hotel is located is a V-shape. As I was trying to get to Atlantic Ave, I somehow went the wrong way. Luckily, I got back to where I suppose to be and finally reached the building. I was about an hour early waiting for others, and as they arrived, I found out they had also been confused by the street. The lobby area was a bit small for our group, so we went downstairs to the lunchroom, to rehearse.

We set up the chairs, did our warm ups and rehearsed several songs. The audience there was crowded, and we waited until it was time to perform.

My fellow tenor, Gary, started the choir introduction and we started the song with Siyahamba. We followed with Peace Salaam Shalom and Od Yavo. During Od Yavo, we tried to get people to clap but people didn't seem interested in joining in that way. Maybe because they weren't familiar with the song. They did applaud at the end of the song, then we moved on to This Land Is Your Land.

Now here's my favorite part. When we sang the next song, Down By the Riverside, I noticed one audience member put on his glasses, and soon after he was dancing and snapping his fingers, singing the song with us. It must have been his favorite song of the day. We also did our Christmas lullaby, A La Nanita Nana, then Little Bitty Pretty One, and Alex alone was the soloist for this song. Then we sang Hafinjan and Cheryl was the soloist . We finished up with Light One Candle, then Imagine,  and Give Us Hope. Gary made a closing performance speech and introduced our theme song, Let There Be Peace on Earth.  I did the solo on this one and yes I'll admit, I missed Deb singing the female voice of the solo with me. The audience sure did leave us with a nice applause, and we were ready to find our way back to the subway.

-Wilfred, POHC Tenor

Queens Library Promotes POHC December Performances

Queens Library will host two POHC community concerts in December. Check out the custom flyer Queens Library created to promote the POHC. Very nice! We hope you'll join us on Saturday, December 1 at 3pm at the Central Library Auditorium, and on Saturday, December 22 at 3pm at the Jackson Heights branch.

POHC Performs at the Women's Mental Health Shelter at the Park Avenue Armory, November 17

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

It was a sunny and brisk this past Saturday, as I was approaching the Park Avenue Armory Women's Mental Health Shelter for POHC's latest concert. I'm used travelling to the shelter now, since I've performed there before with POHC. I saw some fellow POHC members entering the building. After a short elevator ride we made it to the third floor where we set out coats and bags in the pantry. From there, I could overhear René leading the Choir in voice warm ups in the cafeteria across the hall, where we were also to perform our concert.


Some of the shelter residents arrived in the cafeteria while rested our voices after the warm-ups. Soon, we were ready to perform. We started with Siyahamba, which we sang very well. The audience really liked it. Then we sang Peace Salaam Shalom. We tried to get the audience to participate they didn't know the words; I think they liked the song anyways. Our third song was Od Yavo. We did get the audience to clap along with this song. Then came Down By The Riverside and several choir members went down to the audience shaking hands when a catchy lyrics "I'm gonna shake hands around the world..." started.

Next was Little Bitty Pretty One with yours truly singing solo along with my fellow Tenor, Alex. Then we did This Land was your Land. We usually have the audience singing with us, but the lyrics were not passed around, so the audience didn't sing it as much. They seemed to enjoy it regardless. We moved on to Imagine, then Hafinjan with Soprano Cheryl doing the solo. She has one great voice there. 

Toward the end we sang our Channukah song, Light One Candle, then a 9/11 commemorative song, Give Us Hope. We closed with our theme song, Let There Be Peace of Earth, with Soprano Deb and myself singing the solos. The audience loved us, and they thanked us for the performance we did for them, which was wonderful.

As we approach Thanksgiving this week, I would like to wish everyone a wonderful, and Happy Thanksgiving. I'm am very thankful for being with POHC!!!

-Wilfred, Tenor Section Leader

POHC Performs at Jewish Community Center, November 3

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

On the Saturday after superstorm Sandy disrupted the East Coast, the Manhattan Jewish Community Center hosted POHC for a concert as part of their Saturday R&R program. The JCC lobby was packed near capacity.  Mothers and fathers sitting on chairs, bouncing their knees up and down in time to our singing because their hands weren’t free to clap—they were holding on to the children on their laps.  More adults were standing behind and in between them. In the back, other people were sorting donations of clothing and assorted items for people severely affected by the storm.  On the side, still other people were clustered around the snack and beverage table.  The place was humming with the noise of a crowded restaurant where you have to shout to talk to your table-mates.

Into this din marched the SATB members of the POHC.  We took our places and waited for some quiet so René could introduce the Choir.  When the quiet didn’t come, we decided to just sing.  Our opening number, Siyahamba, couldn’t have been better-chosen. Now we had their attention!

I can’t say that they were totally quiet for the rest of the concert.  I can say that all of them in the front were paying attention, especially the wide-eyed children.  So were most of them in the back. And when we got to Od Yavo, I saw some of the people sorting items on the donation table singing with us while they worked.  (At one point, in the middle of a song, a man came up and whispered something in René’s ear.  When the song finished, René faced the audience and said, “I’m told to announce that three more teenagers are needed in the sorting area.”) 

This was sabbath at the JCC, where peace is supposed to reign and no work is to be done.  No work means no appliances, which means René was not allowed to play his piano, which means our entire concert was a capella (unless you count René’s pitch pipe).  For the Choir—at least for me—this was an unexpected treat. René was 100% conductor, his gestures and facial expressions letting us know exactly how to shape the sound.  And we did give forth a really fine sound, the controlled chaos around us notwithstanding. 

Contrast today with our concerts at the hospice, where we go into a patient’s room, gather around his or her bed, and sing to one person.  Each is satisfying in a different way.

-POHC Alto

POHC Sings for St. Luke's Roosevelt Hospital Psychiatric Unit, Oct 14

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

 

On a beautiful fall Sunday, the Peace of Heart Choir visited St. Luke's Roosevelt Hospital in Morningside Heights, near Columbia University. The lone staff member eating lunch in the first floor cafeteria said she didn’t mind our warming up within feet of her table, so we made ourselves at home. Then we went upstairs to the day-room of the psychiatric unit. 

 

POHC members rehearse in the lunch room at St. Luke's Roosevelt Hospital, October 2012.

 

As always, our pre-concert arrangements interested the audience—the re-arranging of chairs, the moving of the piano, René’s tickling the keys and pronouncing it a "fine specimen."

 

Then René introduced the choir, and Gary introduced the South African hymn, Siyahamba, inviting the audience to determine whether this was in Zulu or Africaans.  René started his drumbeat, and we were off. No one weighed in on the language question at the end of the song, but they were obviously engaged. Starting with the next song, John Lennon's Imagine, we invited them to sing along with any of our numbers.  No one did, except for the actual sing-alongs, Down by the Riverside and This Land is Your Land.  But many clapped along or swayed, and all seemed interested in the introductions.

 

A few patients walked in and out during our performance, but there was a core who stayed for all eight songs. And though we were a bit sparse on some parts, POHC is nothing if not adaptable. A soprano joined the altos, a first soprano sang second, and, for our Spanish song, Nanita, René sang with the basses.  

 

At the end of the concert, we mingled with the audience, all of whom thanked us for coming and said they enjoyed it.  One of the nurses told me she like the a capella songs best, because there was more of a connection with the audience.  She also said she loved the songs with the drums.  Another staff member asked us to come back for Thanksgiving and Christmas; our Steering Committee Co-Chair, and tenor, Gary talked to her about scheduling for next year. 

 

Before we went our separate ways, we gathered in the street under the St. Luke’s sign, and on of our newer sopranos, Noella, posed us with our black folders in our left hands and took our picture for the website.

 

Post-performance smiles at St. Luke's Roosevelt Hospital.

-POHC Alto

POHC Participates in Vigil for International Peace, September 23

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

The Naumburg Bandshell in Central Park, where POHC performed in the program for the
11th annual Vigil for International Peace on September 23.

The weather was wonderful, a little chilly but still hangout weather in Central Park. POHC members gathered around the Naumburg Bandshell to participate in the 11th annual Vigil for International Peace, a day of music, performance, and arts inspired by the United Nations' 2001 Resolution 55/282, which designates each September 21st as a full day of global ceasefire and nonviolence.

As I approached the area with two of our newer members, there was already a performance going on. I don't know the group name, but they were already singing John Lennon's Imagine, a song we were planning to sing.

We stepped away from the crowd, away from the stage area, and started a short rehearsal with a warm-up. No physical exercise as we would do in regular rehearsals, but voice exercise. When we were singing the South African hymn, Siyahamba, two trucks drove through the area and we had to step aside while we still practiced the song. Then we rehearsed Peace Salaam Shalom. Even though there were some distractions, we worked together and were ready to perform.

After our rehearsal/warm-up, we went back to watching others perform while we waited for our turn. We had planned to start at 2pm but it was already 20 minutes after. Finally it was our turn.

We waited on the stairs behind the stage. It was kinda narrow as we walked inside. We finally got on stage, right after POHC Soprano, Cheryl, and friends sang a song. Then it was our turn. We started out with Peace Salaam Shalom (POHC Soprano, Deb, helped out by joining the Alto section for the song, and it turned out great). Then we went on with Siyahamba. Easy song to get through too. Then we sang our theme song, Let There Be Peace on Earth, which was also our final song for this concert. While we sang, there were several people in the audience waving their hands from side to side, something we don't always see at our concerts. The audience seemed to enjoy our performance and we enjoyed being there.

-Wilfred, POHC Tenor Section Leader

POHC 9/11 Remembrance Concert in Central Park

Peace of Heart Choir performs a remembrance concert in Central Park, September 11, 2012.

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

Peace of  Heart Choir formed in response to the events of September 11, 2001. During this time of year we join with other New Yorkers to remember, connect and heal.

The sky was blue and the sun shone today—the same weather we had eleven years ago.  Except that today’s air was fresher. A perfect day for our outdoor memorial concert. 

We gathered at Merchants' Gate, the Columbus Circle entrance to Central Park. Our Music Facilitator, René, set up his portable piano, and the Choir arranged themselves a few steps up, in front of the monument. Our audience faced us from behind René; people of all ethnicities and ages (including a baby), some standing still to listen or sing along, some passing by on their way to somewhere, smiling in our direction as they walked. The policeman leaning on his van off to the side looked as if he wasn’t sure what was going on but liked what he was seeing and hearing. In any case, he let us be.

We opened with the South African hymn Siyahamba, which went off pretty well considering we learned only it a few days ago.  Kudos to the choir!  The audience sang along to the songs we thought they would—Down By the Riverside and This Land is Your Land—as well as to Od Yavo, Imagine, and Let There Be Peace On Earth.  This was an informal concert.  There was background noise from the general public, and also drums from a group on the other side of the monument.  Unphazed, we sang through it all, and the audience obviously enjoyed us.  The noise also worked in our favor: we didn’t have to be perfect.

After the concert, several of us were approached by students from the Columbia School of Journalism, who had been assigned to come to Central Park specifically to report on us.  Their questions were about how the Choir formed, what various members do in our “regular” lives, whether we knew anyone who had died in the attacks, and more. These were audio interviews (no video), and the students used the same equipment René uses to record our regular concerts, so he gave them pointers on the microphone.  In a way it’s fitting that the Columbia students were there, because POHC was started eleven years ago by musicians from the Columbia School of Social Work.

Afterward, a few of us went out to eat and then down to the Hudson River to view the memorial beams of light from Ground Zero, beams reaching high into the sky, way past where the towers did.  

-POHC Alto

This year's POHC 9/11 Remembrance Concert in Central Park was featured in the following online news outlets:

Wall Street Journal: Peace theme at NY Central Park 9/11 sing along

CBS Local News: 9/11 Observances Held Around the Tri-State Area

Spring Preview: Successful POHC Song Selection

POHC Members Convene the Spring 2013 Song Selection on July 15, 2012.

New York City is in the dog days of summer, but POHC is already thinking about Spring 2013! On July 15, POHC members gathered for the semiannual Song Selection meeting. A full season in advance, members nominate and vote on songs that will not only be performed during an upcoming season, but will also become part of the ever-growing general POHC repertoire. 

Charts are used to keep track of votes for the many excellent song nominations.

In accordance with the Song Selection Guidelines, members choose six songs from the existing repertoire, six new songs not previously performed by POHC, and two sing-along songs that can be old or new to the group. Another twist to the proposal and selection process is ensuring that the upcoming repertoire includes songs in English, Spanish and additional foreign languages (all according to the Guidelines--a document created and ratified by POHC members). 

Members use various media tools to present music and lyrics when nominating a song. 

This season, we had a great turnout--approximately 15 members gathered around a conference table in Midtown Manhattan to share their proposed lyrics and music, via all forms of media. We even sang a few songs to see how we liked them. The decision making was difficult because all of the choices were so good! Votes were cast and the POHC Spring 2013 repertoire is ready to be announced:  

Returning Songs: 

59th Street Bridge Song  
Aquarius 
de Colores (Spanish) 
Everyday People 
Stand By Me (Spanish/English) 
The Lion Sleeps Tonight

New Songs: 

Die Gedanken (German) 
el Beso (Spanish)
Madrigal Fire

Put a Little Love in Your Heart

This is My Song

Tumbalalaika (Yiddish) 

Sing-along Songs:

New York, New York 
Turn! Turn! Turn!

The decisions, recorded by hand and announced at the Song Selection meeting.

Why does POHC conduct song selection a full season ahead? Simple: Our Musical Facilitator, Robert René Galván, uses the time to research and prepare SATB choral arrangements for each of the new songs, and sometimes makes updates on returning arrangements so they will be ready for the specific blend of voices and talents to be participating. 

Now that we have a sneak peak at Spring 2013, we can focus on Fall 2012 with our upcoming auditions starting August 9. We hope to see you at our fundraising concert in December, but for now, we encourage you to enjoy your summer!

Warm Up Your Voice: POHC Auditions

Peace of Heart Choir is preparing for the Fall 2012 Season by holding auditions for new volunteer singers. Call or email to schedule an appointment and come prepared to sing 60 seconds or so of your favorite song, in any language, in any style or genre, as long as it's a capella (without instruments or CD/tape). You will sing for a small group consisting of three or four members of the choir and our Musical Director.

We need someone like you!

We accept talented amateurs and professionals alike. You'll need to be able to:

• blend with other voices
• sing a cappella (without instruments or accompaniment)
• harmonize
• sing arrangements for multiple voice parts
• commit to the choir's mission
• be sufficiently available to rehearse and sing on short notice for at least some engagements.

Ability to read music is helpful but not as important. Instrumental, dance, or other performers are also welcome. People of all races, ages, ethnicities, genders, gender expressions, sexual orientations, income levels, religions, beliefs, political affiliations, national origins, immigration statuses, and abilities/disabilities are welcome. 


We are looking for all voice parts, especially tenors and basses, who believe in our mission and are interested in singing diverse and popular music a cappella as well as with accompaniment. 

Audition Schedule

• Thursday, August 9
• Friday, August 10
• Saturday, August 11

All auditions will take place in midtown Manhattan. To schedule an audition, please email peaceofheartchoir@yahoo.com or call (212) 252-3191.

Seniors Sing Out! POHC at Kittay House, June 23

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert. 

Members of POHC and Kittay House Choir join voices on June 23, 2012.

We had a large audience in the Bronx, at Kittay House Senior Apartment Living, on Saturday June 23--as big as the one at the church in Queens when we sang with the children’s choir. They were patiently waiting for us to begin when we were asked to hold off so they could clean up a spill in the back of the performance area. In true POHC fashion, we used the time to mingle with members of the audience. René was chatting with a man in the audience when, all of a sudden, the two of them burst into an operatic aria that could be heard throughout the room.  It turned out that Kittay has its own choir, of which this man is a member. 

In that same pre-concert mingling, I met a man in the front row who was from my old neighborhood in Brooklyn.  We discovered that we had both gone to the same junior high school. He and his wife, who was sitting with him, were Brooklyn College graduates, class of 1944.  I told them that my mother and I were also graduates of Brooklyn College, class of 1936 and 1964 respectively. 

By then, the mess was cleaned up, and we were on. This was a hard hall to sing in because of the acoustics–we could hardly hear ourselves–but the audience loved everything we performed. They sang along with This Land Is Your Land, and also with Hungarian Dance, Let There Be Peace on Earth and a few other songs. 

At the end of our performance, the Kittay recreation coordinator spoke about what joy we brought to everyone and how our spirit was contagious.  (She told us earlier that she is a cantor and had looked at our website thinking she might like to join, but she couldn’t make the time commitment right now). Then she asked whether she could invite all the Kittay choir members to stand with us so she could take a picture of the two choirs together.  They made their way up front with their walkers and smiles. I asked one woman whether she sang soprano or alto, and she said, “Anything they need.”  After our photos were snapped, our two choirs did a sing-along together, with René at the piano and the audience joining in heartily.  

At this, our final concert of the season, a good time was had by all. Have a great summer 2012 and we'll be back for our Fall season, with rehearsals starting in September. 

-POHC Alto

POHC Performs at NYPL St. Agnes Branch, June 21

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

NYPL, St. Agnes Branch, where POHC performed on June 21, 2012.

There was a heat wave outside on Thursday, June 21, but it was blissfully cool on the third floor of the recently renovated St. Agnes library on Manhattan's Upper West Side. We warmed up and performed in the same space. A man and woman arrived when we did and sat in the audience during the warmups. The man did all the exercises with us while moving his hands like a conductor.  The only part of the routine that seemed to stump him was our tongue-twister of an exercise "the-tip-of-the-tongue-the-teeth-the-lips." And when we sang Quizás as part of the warmups, the woman sang with us, contributing an extra (and extra loud) "quizás” during the rests at the beginning. 

Five minutes before showtime, the house was still almost empty, but, miraculously, at 6PM people trooped in all at once and more than half the seats were filled.  (Now that I think about it, it maybe that the librarian-in-charge was holding the people outside until she thought we were ready.)

This was different from most of our community concerts in that it was open to the general public, whereas we often perform for small groups at shelters or hospitals where the audience members are residents or patients. At St. Agnes Library, some of our audience were friends and family of choir members. Two of our audience members were current choir members who, for various reasons, sat out this performance.  Also, there was former soprano Lily, beaming from her seat and joining us on stage at the end for our theme song Let There Be Peace on Earth.

There is nothing to report about this concert that was out of the ordinary.  That is a good
thing.  It is ordinary for audiences to thoroughly enjoy our concerts, to be attentive to the introductions, to participate in the sing-along, and to applaud enthusiastically after each song.
 
We certainly brought out a lot of smiles, and when we mingled with the audience afterward, we received positive comments including "Joyful," "I love the harmonies and the arrangements," and "Come back!"

-POHC Alto

POHC Sings at Roosevelt Hospital on Friday 6/8

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

On Friday, June 8, POHC congregated in an alcove of the lobby at Roosevelt Hospital on the West Side of Manhattan. After the whole group arrived, we headed to the Volunteer Services office, where we warmed up before going to the Inpatient Psychiatric Unit to perform. With the help of the staff, we moved the very interesting piano (painted all over with flowers and supported by two paperback books, one under each front leg) to where we wanted it.  Then Rene tested it by playing various classical snippets, to the amusement of the patients who were there early and watched the set-up procedure.  The staff arranged chairs in rows, we arranged ourselves behind the piano, and the rest of the patients came in.

We opened with Peace, Salaam, Shalom and followed with Higher and Higher, after which a woman called out, “Didn’t Jackie Wilson sing that?” (yes!), and so a dialogue was started between the audience and the Choir that went beyond our introductions, all of which they listened to with interest.

We did the first sing-along early on—This Land Is Your Land—and everyone participated, either by singing or clapping.  When it was over, someone shouted, “Yay, Woody!”

René’s bamboo flute introduction to the Cherokee Morning Song has been a hit with all our audiences so far, and this one was no exception. When we finished the piece, one of the patients asked what the words of the song meant.  Rene told him: “I am of the great spirit.” (Another version of the translation is thought to mean "our hearts and spirits are strong.")  The patient said that the main lyrics, “We n’ de ya ho,” sounded like “When they are whole.”  He seemed pleased when we told him that was a wonderful observation.

Guantanamera was another hit, with clapping and singing not only by the patients, but by the staff who were standing in the doorway. And when we finished the fade-out ending
of Vela, someone said, “That’s gorgeous!” After, we closed with Let There Be Peace, we did the second sing-along, Down By the Riverside, and when that was over, we got a standing ovation from the patients!

They were a wonderful audience, each listening in his or her own way, and we all came away feeling good about having sung there.

-POHC Alto

Welcome June! YAI Hosts POHC for Friday Night Fun

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

Coming to YAI is like coming home. We love them, they love us, and the attraction never dims. This is POHC Baritone Anthony’s turf, and as always, he introduced us on Friday, June 1. We were lined up in the hall, books in our left hands, and couldn’t hear what he said, but we did hear the result: resounding applause as we entered and took our places up front.

As soon as the cheers died down after our opening number, Bridge Over Troubled Water, a girl in the front row shouted out for a Spanish song, because that was her heritage.  René told her one was coming later.

When Barry introduced the Hungarian Rhapsody, someone knew that the third “B” name in famous composers was Brahms.  One of the choir members yelled out something about listening to the words, and sure enough, while we were in the middle of it, a girl in the second row was Ba-ba-Ba-ba-ing along with us, shaking her body in time to the music.  She got tripped up when we changed tempo, but picked it up again immediately.

Audiences of all ages love René’s demonstration of his bamboo flute and the pentatonic scale, and this one was no exception.  Maybe because these young adults pay such close attention and seem so interested, René told more of the story than he usually does.  And so the choir learned something today, too—that Rene baked the bamboo in his oven to dry it out. It’s quite a long flute, and this choir member wondered how big his oven was.

POHC Conductor and Music Facilitator Robert René Galván plays his bamboo flute.

One young man in the back suggested a few songs the choir could sing. René said they were possibilities and we would consider them, but we couldn’t do them today because we hadn’t rehearsed them. That same young man said he knew another classical song and hummed a long lick from it, which we couldn’t exactly place, but Rene said it sounded
like Dvořák. The man shook his head yes and looked pleased.

They loved our two sing-along songs, This Land Is Your Land and Down By the Riverside.  And what better measure of our closeness to these energetic, fully-present young adults than their knowing our routine. As Larry was introducing our closing number, before he even said the title, a young man up front said, “Let There Be Peace on Earth.”

As usual, there was a party afterward, to which the choir members were invited.  Good food, music and dancing, and high spirits. We will definitely be back!

-POHC Alto

Singing with Seniors: POHC at Goddard Riverside Community Center, May 30

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

Yes, it was lunchtime, but several POHC singers were able reschedule mid-day plans and made our concert at Goddard Riverside Community Center a huge success.  We sang in a large lunchroom where the seniors who attend the Senior Center were  sitting at tables after recently eating lunch.  One woman shouted out as we walked in, “We were waiting for you!”

This was one of our larger audiences, and they were very responsive--to familiar songs, like Simon & Garfunkel's Bridge Over Troubled Water and to less-familiar songs as well.  They liked all of our introductions too, in particular the one to Cherokee Morning Song, where René explained the pentatonic scale and demonstrated how his flute doubles as a weapon.

The two sing-along songs were hits—Down By the Riverside and This Land is Your Land.  Almost everyone joined enthusiastically, some from memory, some using the lyric sheets we handed out.  As we have done in past seasons when singing Down By The Riverside, we went out into the audience to shake hands with people during the verse "Gonna shake hands around the world...Down by the Riverside."  Some seniors also sang with us during the non-sing-along songs, especially when we sang the POHC theme song Let There Be Peace On Earth.

After the concert, one woman said to me, “This was inspirational.  Nostalgic.” Another said, “It gives me goose bumps.  It gives us energy--how do you say--to get up the next day.” Another woman kissed me and said thank you.  Still another said, “Please come again” and  I assured her we would.

 

-POHC Alto

POHC Sings at Fountain House, May 19

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

The fifth-floor wellness unit has been refurbished since the last time we were at Fountain House, with artistic tube-lamps hanging from the ceiling. What remains the same is the airy feeling of the room with large north-east facing windows and the pots of fresh basil and parsley on the windowsill.

We had an audience of about five for our warmups, and I saw some smiles when we got to "the-tip-of-the-tongue-the-teeth-the-lips." We finished the warmups by running through some songs, with René stopping us here and there to re-do a few measures.  The audience seemed interested in these rehearsal proceedings.

We began the concert proper with our rendition of Simon & Garfunkel's Bridge Over Troubled Water, and as we progressed from song to song, the audience grew.  By the end of the concert, it numbered fourteen.

We have sung for a Fountain House audience before. They are not effusive, but they are definitely with us in a low-key way.  They paid attention when René introduced the Cherokee Morning Song by demonstrating his bamboo flute—showing them how it doubles as a weapon and explaining the way he made it. A few swayed back and forth as we sang the song, with Jeanette—mom of POHC Baritone Anthony—filling in on the shakers.  Barry
introduced the Hungarian Rhapsody by saying, “There are three famous B-named composers in music:  Bach, Beethoven, and...”  Several people shouted out “Brahms!”

Larry reached not only the audience, but the choir as well, when he read all the words of the POHC theme song, Let There Be Peace On Earth, as if it were a prayer.  The room was hushed, and every eye was on him, including those of a man who had been facing the back of the room and reading a book. An uplifting, spiritual feeling pervaded the room. There was a brief silence after Larry finished, and then we began singing the words he had just spoken. It was a moment that could not have been rehearsed.

After the concert, the audience members wanted to take pictures with us, so we posed with them.  POHC Soprano Angela Szpak put on her “Miss Plus New York” banner, and they flocked to take pictures with her, too.

We all left with a good feeling.

-POHC Alto

Surprises for POHC at All Saints Church Performance, May 4

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

The May 4th POHC concert at All Saints Church, in Queens, was in many ways different from a typical POHC concert:

1) We got to meet the children from one of René’s other choirs--girls from
kindergarten through middle school--who do the same warmups we do. Not
only the arm and ribcage stretches, but the arpeggios and modified scales,and "the-tip-of-the-tongue-the-teeth-the-lips." It was like finding out your parent has another family whom you’ve never met, and further finding out that the other family has the same routines you do!

2) The audience did not "need" our ministering. They were well and happy people, mostly parents and siblings of the girls from the children’s choir. (It was a full house--standing room only.)

3) We were in the borough of Queens, where we don’t usually sing. Most of our concerts take place all around Manhattan, some in the Bronx, and a few in Brooklyn. It had been a while since we performed in Queens. As our Steering Committee Co-Chair Larry told the audience, he, himself, had never been to Queens before (then he added, almost under his breath, “I guess I have; I came here through Kennedy airport”).

4) Our very own Soparano, Angela Szpak, surprised us by singing an operatic solo, The Italian Street Song, by Victor Herbert.  She sparkled. She dazzled.  She brought the house down. Go, Angela!

5) We joined voices with Cantíamo Youth Chorus and sang Cherokee Morning Song and Peace, Salaam, Shalom.  For a blended family that just came together for the first time, we did pretty well.

6) We got to see René in martial arts persona when he transformed his handmade bamboo flute into a graceful, baton-line weapon. Who knew?

7) We found out that the song Peace, Salaam, Shalom has clap-along possibilities.

This was a heartwarming concert.  The church was lovely.  We sang well, and we got to meet the children we’d been hearing about for so long. We thank the church, the families, and their children for having us.

-POHC Alto

POHC Welcomes Spring at St. Luke In the Fields, April 15

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

It was a triple kickoff day! Not only was it The POHC inaugural concert of the Spring season at St. Lukes of the Fields, but our concert was part of the kickoff for Sing New York, and we debuted POHC’s ad hoc accompanist (and singing member), Marv.

We sang in the lovely church of St. Luke in the Fields, on one of the quieter streets in Greenwich Village.  Call time was 3:00pm. POHC Tenor Gary was out front directing us: walk through the little garden to the back entrance, then go on a follow-the-yellow-brick-road adventure around corridors and down stairs to the choir room in the basement, where we did most of our warm-up. The last part of the warm-up was upstairs in the chapel itself, where we were to perform.  

There was a smattering of people in the audience—maybe ten or fifteen—sitting in widely separated seats, most in the back.  They clapped for all the warm-up songs. Then it was 4:00pm, time for the real performance.  Since we were already in formation, we didn’t go offstage and come back on. Steering Committee Co-Chair Larry just announced to the audience that the warm-up was over and the performance would begin, and they would hear the same songs again.  They were cool with that.
 

René’s flute behaved, and Marv accompanied us for our version of The Pretenders' I’ll Stand By You, leaving René free to conduct. The audience was small but enthusiastic. They listened to all the introductions and clapped for all the songs the second time around, too.  I found Larry’s comments about Simon & Garfunkel's Bridge Over Troubled Water most interesting—how he first heard the song in the late 1960s in South Africa, and the next morning sang what he remembered of the melody to the proprietor of a record store because he didn’t remember the name of the song.  The proprietor knew what song it was and Larry came away with a 33-rpm record.  Years later, Larry was in Trafalgar Square in London when Nelson Mandela came to talk, and they played Bridge Over Troubled Water that day, too.

There was another group performing after we finished, and some of us stayed for that. All in all, despite the small audience, it was an auspicious beginning to our season.

-POHC Alto

POHC Featured on GeNYU Blog

Back in September 2011, POHC commemorated the 10th Anniversary of 9/11 and the 10th Anniversary of the formation of our choir. We participated in several events during the weekend of September 11, 2011, and were featured in various news outlets. There was one article about POHC that was under the radar until now, check it out at GeNYU, and NYU journalism blog covering the beat for Generation Y. Check it out!

Peace of Heart Choir Brings Peace of Mind

POHC Starts 2012 Singing for YAI January 6

It has become a tradition for a member of POHC to do a post-concert write-up. It started when our Sign-up Coordinator began emailing her summaries to the other members in order to entice newer members to sign-up to sing at community concerts held early in the season. It didn't take long for Concert Write-ups to become greatly anticipated amongst our members, so we share them here in hopes that you'll join us at a future concert.

It's a great way to start 2012 when you can spend a Friday night with friends at YAI, a network serving people with disabilities and their families. We warmed up in a classroom that had a “NO SINGING ALLOWED” poster on the bulletin board.  (We took a group picture with it, if anyone has the photo, please email it to peaceofheartchoir@yahoo.com.)  Then, POHC Baritone Anthony went into the performance room to introduce the choir.  None of us in the hall heard what he said, but we walked in to enthusiastic applause and waving hands, so it must have been good. 

 

René didn’t say much when he introduced our first number, just that it was Seasons of Love from Rent, but it was enough to evoke cheers from the audience. One young lady in the front row sang the entire song with us. 

 

The YAI young adults are, without a doubt, our most enthusiastic and energetic audience.  They are fully engaged, listening to the songs with concentration, rocking, clapping, and occasionally singing along. After I introduced 7 Principles and said it was in both English and Swahili, one young man said he could count in Swahili and recited the numbers one through ten.  Now it was the choir’s turn to applaud him.

 

The young men and women loved the idea that we were going to sing two songs at the same time: Night of Silence and Silent Night.  We invited them to sing along with the Silent Night part.  When we did the German version, I saw the same young lady in the first row listen for the first sound of every word, then mouth it and copy what we were saying. Some choir members talked to her later, and found that she is interested in auditioning with us. 

 

Ocho Kandalikas proved to be a clap-along, with René revving up the audience–they clapped faster and faster, so we had to sing faster and faster.  Good thing we warmed up with our repetative exercise “the tip of the tongue, the teeth, the lips.”

René had decided not to do Feliz Navidad, because it was too long after Christmas, but one girl kept asking for a Spanish song, and that was the only one we had this season, so we obliged her. Others sang along, and the girl who asked for it was extremely pleased. 

 

It would be an understatement to say that the YAI young adults loved everything we did.  They listened to all the intros and clapped for them. They were up on popular culture, telling us some things we didn’t know. Everything they called out was relevant, including that the founder of Kwanza was Dr. Karenga.  One young man wanted to know if the song Ocho Kandalakis was in Hebrew, and we said it was in Ladino, a mixture of Spanish and Hebrew.

 

As they always do, they invited us to the party afterward.  The refreshments were quite elaborate—rolled sandwiches in tortilla bread, cookies, crudites, chips, drinks...

 

Thanks, YAI.  You give us a real lift. Happy New Year to all!

 

-POHC Alto